HakiliSigi
HakiliSigi is an artistic company that seeks to bring together and explore all forms of body motions. Hakilisigi is derived from the Bamanan language, “Hakili” represents the power of ideas and the memory, while “Sigi” signifies the importance of anchoring and establishing oneself. From an artistic, political and philosophical point of view, HakiliSigi means anchoring ourselves to our traditions, drawing inspiration from our roots to architect our future free from any imitation. It is through this lens of elaboration that we can shape our perception of human being, community, and society that observe, understand, and interact with the universe, its visible and invisible components.
Just like a well-rooted tree, when we are firmly grounded that we are primed for growth and the come to fruition. We become capable of branching out, blossoming, and even bearing fruit. Additionally, only a deeply rooted tree is resilient and can withstand the storms of life. Let us strive to be as deeply rooted as the tree, symbol of balance the union of opposites. We can be elevated by our aspirations, yet firmly grounded to our traditions. We can be substantial in our presence, yet light and graceful in our expressions. To acquire a strong lift, we need to have established a powerful anchoring.
At the heart of the company, we embrace a one-of-a-kind philosophy that centers on the exploration of choreographic research using the blend of diverse disciplines. We firmly hold the belief that through rigorous training, comprehensive education, and meaningful cultural exchange, we not only enhance our own growth but also safeguard our distinctiveness. Ultimately, our goal is to transcend mere satisfaction and actively contribute to social progress, nurturing the prosperity and development of humanity.
Our political space serves as a hub for artistic encounters, where arts intertwine to unite and stand for the struggle of human condition.
We are dedicated to art that physically brings people together in all forms of performance space — and culturally through its capacity to open a collective space where each community can tell its story, inspire reflection, and form new bonds that transcend differences.
We value dialogue, research, and open-mindedness toward different ways of perceiving the world. Simultaneously, we remain attuned to the various phenomena that shape and influence it.
Ultimately, we pose a thought-provoking question: Can we truly consider ourselves civilized if we are incapable to recognizing the beauty, the richness and diversity of cultures?
Artistic Director and Professor, Lacina Coulibaly
Lacina Coulibaly is an extraordinary individual who has made significant contributions to the world of dance. As an accomplished professional dancer, choreographer, and instructor, Lacina’s passion lies in merging traditional African dances with contemporary influences, creating captivating performances that leave a lasting impact.
Lacina is an extraordinary individual who made significant contributions to the dance world. As an accomplished professional dancer, choreographer, and instructor, his passion lies in merging traditional African dances with contemporary influences, creating captivating performances that leave a lasting impact.
Co-founding the renowned Cie Kongo Bâ Teria dance company in 1995, Lacina’s talent quickly gained recognition with the award-winning creation “Vin Nem, featured in the documentary film “Movement (R)Evolution Africa” in 2007.
This groundbreaking piece mesmerized audiences during extensive tours across Europe and the United States, solidifying his status as a remarkable artist.
Throughout Lacina’s career, collaborations with esteemed international dance companies such as Salia ni Seydou, Faso Danse Theatre, Tché Tché, Anikaya, and Urban Bush Women have showcased a unique ability to integrate various styles and influences into breathtaking performances. Collaborations with renowned artists such as Emily Coates, Daria Fain, Vanessa Anspaugh, Kota Yamakazi, Seydou Coulibaly, and Nora Chipaumire (assistant choreographer on Dark Swan, UBW) further demonstrate Lacina’s versatility and artistic vision.
Beyond the stage, Lacina has dedicated time to pedagogical work in social and educational programs, empowering aspiring dancers and leaving a lasting impact. Lacina’s involvement as a choreographer and associate artistic/pedagogical director for the Engagement Féminin project in Ouagadougou, has been instrumental in training and empowering female dancers in Africa.
Lacina’s expertise extends to teaching and directing dance projects with students at esteemed institutions such as Barnard College, Sarah Lawrence College, ACES, Florida University, Brown University, New School, UCLA, and CDC la Termitière.
In addition to artistic achievements, Lacina has developed Sigini, an innovative analytical approach to African dances, particularly West African dance, and a pedagogical approach for designing and sculpting movement. This groundbreaking methodology has firmly established Lacina as a leading authority in the dance community.
Lacina’s latest work, “Until the Lion Tells the Story, …” delves into ancient African civilizations, emphasizing the importance of history in strengthening communities. This highly anticipated creation will premiere at New York Live Arts in 2024 as part of the Live Feed 2022-2024 artist residency, marking another milestone in his illustrious career. Currently serving as a faculty at Yale University, associate artistic director at Yale Dance Lab, and artistic director of Hakili Sigi, Lacina continues to inspire and educate future generations of dancers, passing on invaluable knowledge and skills.